I’m occasionally posting updates from E3 this week on twitter… Nothing too ground-breaking, but if you feel like following along: @antonriehl
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I’m occasionally posting updates from E3 this week on twitter… Nothing too ground-breaking, but if you feel like following along: @antonriehl
i’ve just unveiled a new version of my website, that is no longer entirely flash based. thanks to Ryan Layne for updating it so efficiently, and really making the update process very smooth. in fact, the website now will be much easier for me to maintain, with more dynamic content, so updates will be more regular. i’m still assembling all the new content, but there is already some online. more content should be up later this week.
check out the new site, and let me know what you think!
So I’ve distracted myself today, way more than I should have, and setup a new bandcamp.com account. I’ve started by uploading the score to a short film I did called “The Obolus”. I’ve always been happy with the way the music turned out, and think it is a nice collection of music. It’s a relatively short soundtrack, since the movie was also short, so I’ve tried to keep the pricing reasonable. Check it out and let me know what you think!
The movie itself was directed by my friend Mathias Røer, who is an amazing Norwegian director. It is a “fairytale for adults” and tells the story of a boy who loses his parents, and discovers a new world.
I’m curious what you think about the site, it offers some great aspects, like naming your own price, and allows the customer to download files at much higher resolution, which seems great to me! Also let me know if you think the pricing is fair, too high, or too low! (It is only a suggested minimum, and you are able to pay as much as you like.)
I composed the music to this trailer for my friend Shane Cole. The setting in Maine provides an amazing look to the film, and I was able to use a more Bernard Herrmann like style with the music. The movie is still in pre-production, but hopefully will be filming this fall.
Here’s a commercial I scored recently for Avis.
On a side note, I’m thinking I might start selling some albums on bandcamp.com, or possibly some other websites. I’m excited about being able to offer music at high resolutions, and being able to set my own price. Is this a good idea, or are the better websites for that purpose?
Just a quick post today to show you a couple tracks on Youtube from the upcoming “Rome” album. This is a project I worked on with Danger Mouse & Daniele Luppi, and features Jack White and Norah Jones as vocalists.
1st we have a track featuring Jack White:
And another featuring Norah Jones:
Be sure to check out the main site, and keep your eye out for this album in May!
I’m not really the performing type of musician, but I have just confirmed that I will be touring for a week later this year with Mike Patton. We’ll be in Vermont and New York performing “Mondo Cane” which I’ve been working on in the background for several years.
Update: So take this as a lesson… never announce something too early, you can never be sure that something will happen… There are still some possibilities to tour, but these dates have been cancelled.
Mikko Tarmia and I did a post about a year ago with some alternate arrangements of his theme to the game Overgrowth, and I recently recorded my rendition of his piano version. Apparently David decided to post it online, so I thought I would do the same…
If you like the music, you can grab the pdf version and play it yourself here.
If you’re interested in this, you might also enjoy the guitar arrangement I made:
Here is the pdf for the guitar version.
Let me know what you think.
Today I received an email from one of my favorite music software providers SoundsOnline, home to the East West and Quantum Leap libraries that have become a staple in my musical arsenal. Today’s announcement was for Quantum Leap Spaces, a new convolution reverb. I’ve been pretty happy with Altiverb for a long time, which is one of the more common reverbs, but am always happy to hear a new alternative. So, I’ve downloaded the 10 day trial, and given it a quick listen.
After installing and authorizing the software, I pulled up my DAW and loaded a piano sound, and a recording of acoustic guitar, which I purposely mixed without reverb, to test both through the reverb. I loaded both Spaces and Altiverb onto busses so that I could quickly A/B the two, and see how they compare. When I first opened up Spaces, I was greeted by a very pleasant looking, and simple interface, reminiscent of analog gear. There were a total of 4 knobs, which were Dry Signal, Input Signal, Wet Signal and Pre Delay. There’s also a flip switch called “mode” with “Stereo” and “True Stereo”, however I have yet to find a preset that let’s me change between the two. The top bar of the interface feels similar to their sample libraries with the menu and settings buttons, and where the preset browser would normally be, a preset and bypass button.
The presets themselves felt very similar to the presets in the rest of the Play libraries, and there is probably an overlap between the impulse responses (IR). The only downside to these presets is that they are labeled very generically. So we get things like “San Francisco Hall” but they don’t tell us which hall that is. Although they do have a section called “Offbeat Locations” which list things like “Carlsbad Caverns”, so there are some specifics. I’m sure with a little research I could figure out where each IR comes from.
So, I finally start playing through the verb and suddenly everything is much louder. I look and the dry signal is turned all the way up. This reverb is designed to be an insert, and not a send. This is great in some situations, where I just want to add verb to a few instruments, or sounds, but in general, I like using a send and routing every instrument through the same verb. So I will have to compensate by turning down the dry signal in the verb and move forward. It creates a nice clear sound, very inviting. I think I’d like a longer tail, but that option does not exist. I guess I will have to find one. Luckily they list the IRs with how long the verb lasts. A little disappointing if I like the sound of a certain hall.
So how does it compare to Altiverb? I found a similar sounding hall in both plugins and switched back and forth. In general, Spaces had a much brighter sound, but also a ton of dry signal mixed in on every preset. Every time I changed the preset, it would reset the dry level gain. Altiverb tended to color the sound a little more, especially in the low mids, but it seemed to add something interesting, in my opinion. In general, the IRs in Spaces were shorter and cleaner. Altiverb has a much wider selection (and has been accumulating responses longer), with more variation in the length of delays. Altiverb also allows you to add your own impulse responses, as well as third party responses, where Spaces seems closed to what Quantum Leap provides for you.
Overall, Spaces would be a great buy as your first reverb! It sounds great, and is half the cost of Altiverb. It is limited in the amount of editing you can do to the sound, but has a nice variety overall. I’m sure that as the software is developed, they will add some great new features.
Are there any other reverbs you recommend I try, or that you would like to hear about?
so i’m notorious when it comes to actually updating blogs like these, but recent events in my life have made me realize there is a potential use for them. this blog may swing the full range of very personal information, to very technical and music related posts, we’ll see what happens. most of the time this will be related to my career, which involves music for film, tv, video games, albums… and even some commercials.
today, the world was changed forever as we lost my grandmother Jamia Riehl to alzheimer’s.